First AI Film in Kannada Made by a Priest on ₹10 Lakh Budget — With No Actors or Crew!
🎥 A One-Man Revolution in Cinema
The film, reportedly titled “Sutaka”, was conceptualized, written, and produced by Rajesh Sharma, a 38-year-old priest from Karnataka’s Shivamogga district. Fascinated by AI and storytelling, Rajesh spent six months learning AI tools, working during temple breaks and late nights.
I didn’t want to wait for producers or actors. I wanted to tell a story—and AI helped me do it, he said.
💡 How the Film Was Made Without a Crew
Using text-to-image AI generators, voice AI, video editing software, and AI animation tools, Rajesh crafted every aspect of the film himself:
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Visuals: Generated using platforms like Midjourney and Kaiber
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Voices: Cloned through AI voice synthesis software
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Background Score: AI-composed using sound design apps
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Editing & Direction: Done entirely on a basic PC setup with open-source tools
Despite its modest ₹10 lakh budget, the film maintains a visually captivating style, with surreal frames and a haunting narrative centered around myth, death, and redemption.
🚀 Why This Matters for Indian Filmmaking
This marks a milestone for regional cinema, showing how even low-budget creators with no traditional film background can now enter the cinematic space using AI.
Industry experts are calling it “India’s AI indie revolution”, with many predicting a future where creators from remote towns can produce films without relying on studios or massive crews.
This democratizes storytelling. Anyone with imagination and a laptop can make a film now said a Bengaluru-based filmmaker.
🌍 What’s Next?
The film is expected to premiere on YouTube and OTT platforms later this month, with subtitles for a global audience. Meanwhile, Rajesh is already working on his second AI feature, this time involving interactive storytelling and audience participation.
🔍 Conclusion
In a world dominated by big-budget studios and high-tech VFX, a priest from Karnataka has reminded us that pure creativity, powered by AI, can break all barriers. The future of cinema isn’t just in Mumbai or Hollywood anymore—it’s wherever there’s passion, tech, and a story to tell.
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